The bank manager long ago won the battle for the heart of the Stones – surveying the baffling number of hospitality packages and “tiers” of general admission at Hyde Park, one can’t help but feel sorry for the poor fan who just wanted a ticket for the gig. But all one’s scepticism disappears the minute the riff of Start Me Up explodes out of the speakers, an awful lot more sure-footed than it sounded on the TV from Glastonbury.
And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.
The bank manager long ago won the battle for the heart of the Stones – surveying the baffling number of hospitality packages and “tiers” of general admission at Hyde Park, one can’t help but feel sorry for the poor fan who just wanted a ticket for the gig. But all one’s scepticism disappears the minute the riff of Start Me Up explodes out of the speakers, an awful lot more sure-footed than it sounded on the TV from Glastonbury.
And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.
And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.
And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.
The bank manager long ago won the battle for the heart of the Stones – surveying the baffling number of hospitality packages and “tiers” of general admission at Hyde Park, one can’t help but feel sorry for the poor fan who just wanted a ticket for the gig. But all one’s scepticism disappears the minute the riff of Start Me Up explodes out of the speakers, an awful lot more sure-footed than it sounded on the TV from Glastonbury.
And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.
And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.
And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.
And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.
| Name | Item Name | Item Price |
|---|---|---|
| Alvin | Eclair | $0.87 |
| Alan | Jellybean | $3.76 |
| Jonathan | Lollipop | $7.00 |
Single line blockquote:
Stay hungry. Stay foolish.
There’s still a strange jukebox anonymity to the Keys’ approach; their vintage organ and guitar sounds often project larger personae than the band itself. But part of the reason Carney and Auerbach keep finding new ways to shake up that old-school blues-rock rumble is that they’re workaday dudes smart enough to get out of the way of their own songs. Like Clark Kent’s or Peter Parker’s, their 99 percentness only seems to enhance their powers.
Multi line blockquote with a cite reference:
People think focus means saying yes to the thing you’ve got to focus on. But that’s not what it means at all. It means saying no to the hundred other good ideas that there are. You have to pick carefully. I’m actually as proud of the things we haven’t done as the things I have done. Innovation is saying no to 1,000 things. Steve Jobs – Apple Worldwide Developers’ Conference, 1997
There’s still a strange jukebox anonymity to the Keys’ approach; their vintage organ and guitar sounds often project larger personae than the band itself. But part of the reason Carney and Auerbach keep finding new ways to shake up that old-school blues-rock rumble is that they’re workaday dudes smart enough to get out of the way of their own songs. Like Clark Kent’s or Peter Parker’s, their 99 percentness only seems to enhance their powers.
| Employee | Salary | |
|---|---|---|
| John Saddington | $1 | Because that’s all Steve Job’ needed for a salary. |
| Tom McFarlin | $100K | For all the blogging he does. |
| Jared Erickson | $100M | Pictures are worth a thousand words, right? So Tom x 1,000. |
| Chris Ames | $100B | With hair like that?! Enough said… |
These supported tags come from the WordPress.com code FAQ.
Address Tag
1 Infinite LoopAnchor Tag (aka. Link)
This is an example of a link.
Abbreviation Tag
The abbreviation srsly stands for “seriously”.
Acronym Tag (deprecated in HTML5)
The acronym ftw stands for “for the win”.
Big Tag (deprecated in HTML5)
These tests are a big deal, but this tag is no longer supported in HTML5.
Cite Tag
“Code is poetry.” —Automattic
Code Tag
You will learn later on in these tests that word-wrap: break-word; will be your best friend.
Delete Tag
This tag will let you strikeout text, but this tag is no longer supported in HTML5 (use the <strike> instead).
Emphasize Tag
The emphasize tag should italicize text.
Insert Tag
This tag should denote inserted text.
Keyboard Tag
This scarsly known tag emulates keyboard text, which is usually styled like the <code> tag.
Preformatted Tag
This tag styles large blocks of code.
.post-title {
margin: 0 0 5px;
font-weight: bold;
font-size: 38px;
line-height: 1.2;
and here's a line of some really, really, really, really long text, just to see how the PRE tag handles it and to find out how it overflows;
}
Quote Tag
Developers, developers, developers…
–Steve Ballmer
Strike Tag (deprecated in HTML5)
This tag shows strike-through text
Strong Tag
This tag shows bold text.
Subscript Tag
Getting our science styling on with H2O, which should push the “2” down.
Superscript Tag
Still sticking with science and Isaac Newton’s E = MC2, which should lift the 2 up.
Teletype Tag (deprecated in HTML5)
This rarely used tag emulates teletype text, which is usually styled like the <code> tag.
Variable Tag
This allows you to denote variables.